In the letter “R”, Garamond showcases an extended leg beyond the bounds of the character. For example, in the letter “e”, the Garamond typeface allows for the horizontal slant in the middle of the letter rather than a curved or angular line striking northeasterly. This typeface (which is a collection of fonts) makes specific unique contributions to certain letters. The Garamond typeface is a serif typeface. So, what characterizes the general Garamond typeface? His Grecian styles were some of the most enduring typefaces in history, and remained exceedingly relevant through the 19th century. During his approximately forty year career, Garamond was responsible for a total of 34 typefaces in Greek, Roman, Hebrew, and Italic styles. Garamond was additionally influenced by Angelo Vergecio, a Greek royal scribe in the French court, later in his career in the creation of his Grecs du roi style for a monarchic-funded book project. Manutius helped replace the Gothic style, preferring his own curved Italic style. He began to experiment beyond the typical recognizable styles of the time with heavy influence from an earlier typeface designer named Aldus Manutius. Garamond’s work as an engraver allowed him to punch certain matrices into a metal-type using both Gothic and Roman styles. Certain historical events across Europe prepared the world of print for the rise of typeface designers, and France provided the closest cultural safe haven to develop new styles.įig 1. In Garamond’s time, France became the new center for handwriting development after political developments in Italy, especially after the sack of Rome in 1527. Garamond (the person) was a 16th century publisher, engraver, and typeface designer based in Paris, France.
Notice anything familiar about the last name? Possibly in the fonts available on many word processors? The person I refer to is Claude Garamond ( 1499-1561). Through this person, we are able to make the connection between the art of decorative handwriting and the development of one of the most recognizable modern typefaces. This week, we will be discussing the impact of another person on the development of calligraphy.
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